- The Seven Year itch – 1955
- Vicky Christina Barcelona – 2008
- The Sisterhood of the Traveling Pants – 2005
- Mamma Mia! – 2008
- Stand by Me – 1986
- Little Miss Sunshine – 2006
- The Notebook – 2004
- Crooklyn – 1994
- Real Women Have Curves – 2002
- Caddyshack – 1980
- National Lampoon’s Vacation – 1983
- Grease – 1978
- The Graduate – 1967
- Jaws – 1975
- Beaches – 1988
- Do the Right Thing – 1989
- The River Wild – 1994
- The Parent Trap – 1961
- The Parent Trap – 1998
- The Bridges of Madison County – 1995
- Summertime – 1955
- Summer Stock – 1950
- 500 Days of Summer – 2009
- Speed – 1994
- Thelma & Louise – 1991
- E.T. – 1982
- Clueless – 1995
- Dirty Dancing – 1987
- Point Break – 1991
- American Graffiti – 1973
- The Goonies – 1985
- What About Bob? – 1991
- Dazed and Confused – 1993
- The Endless Summer – 1966
- The Sandlot – 1993
- In the Heights – 2021
- Palm Springs – 2020
- King Richard – 2021
- The Talented Mr. Ripley – 1999
- Dope – 2015
- Lilo & Stitch – 2002
- Adventureland – 2009
- Sylvie’s Love – 2020
- Tomboy – 2011
- Moonrise Kingdom – 2012
- Everybody Wants Some! – 2016
- Luca – 2021
- Crazy Rich Asians – 2018
- Something’s Gotta Give – 2003
- Mystic Pizza – 1988
- Barb and Star Go to Vista Del Mar – 2021
- The Way Way Back – 2013
- Summer of ’42 – 1971
- Pauline at the Beach – 1983
- Breaking Away – 1979
- Moana – 2016
- Soul Surfer – 2011
- Muppet Treasure Island – 1996
- Finding Nemo – 2003
- Charlotte’s Web – 1973
- Say Anything… – 1989
- The Kings of Summer – 2013
- Miss Juneteenth – 2020
- From Here to Eternity – 1953
- Shirkers – 2019
- Before Sunrise – 1995
- Weekend at Bernie’s – 1989
- Monsoon Wedding – 2001
- My Summer of Love – 2004
- In the Good Old Summertime – 1949
- Porgy and Bess – 1959
- Beach Rats – 2017
- The Florida Project – 2017
- Kiss Me Kate – 1953
- The Little Mermaid – 1989
- Anything Goes – 1956
- Damn Yankees – 1958
- The Music Man – 1962
- Carousel – 1956
- An Affair to Remember – 1957
- King Creole – 1958
- The Long Hot Summer – 1958
- Suddenly Last Summer – 1959
- A Summer Place – 1959
- Gidget – 1959
- The Whales of August – 1987
- A League of Their Own – 1992
- Howard’s End – 1992
- Cha Cha Real Smooth – 2022
- Dog Day Afternoon – 1975
- Roman Holiday – 1953
- Hush… Hush, Sweet Charlotte – 1964
- On Golden Pond – 1981
- Summer With Monika – 1953
- Monsieur Hulot’s Holiday – 1953
- Smiles of a Summer Night – 1955
- The Talk of the Town – 1942
- Early Summer – 1951
- Almost Famous – 2000
- Summer Interlude – 1951
Summer Stock is a 1950 American Technicolor musical film directed by Charles Walters and stars Judy Garland, Gene Kelly, Eddie Bracken, Gloria DeHaven, Marjorie Main and Phil Silvers. Judy struggled with many personal problems during filming and Summer Stock proved to be her final film with MGM, as well as her last onscreen paring with Kelly. By mutual agreement MGM terminated her contract by September 1950, something the head of studio, L.B. Mayer said he later regretted doing.
Jane Falbury (Garland) is a farm owner whose actress sister, Abigail (DeHaven), arrives at the family farm with her theater troupe. They need a place to rehearse, and Jane and her housekeeper Esme (Main), hesitantly agree to let them use their barn. The actors and actresses, including the director, Joe Ross (Kelly), pay back her hospitality by doing chores around the farm. Although Joe is engaged to Abigail, he begins to fall in love with Jane after Abigail leaves him in a rage. Likewise, even though Jane is enaged to Orville (Bracken), she falls in love with Joe.
Although this is not Garland’s or Kelly’s best work, it is still a really fun film, filled with laughter, fun songs, dancing and romance, their best is perhaps 1942’s For Me and My Gal. But Summer Stock is still worth seeing for the songs, choreography and romance. Some of the songs are a bit cheesy like so many classic musicals and Gene Kelly is a typecast again as the romantic song and dance man, but he does a great job regardless. Judy Garland is fantastic in her role, and though she was a tiny 4’11,” she seems much taller with her wide voice range and her excellent dancing skills.
This film will have you singing and dancing and it will warm your heart. Warning, there is a scene that might make you tear up. There are many great songs throughout this musical such as “Wonderful You,” “If You Feel Like Singing, Sing” and “Get Happy” (One of Judy’s signature songs). The choreography by Nicholas Castle Sr. is so much fun, it’ll have you either tapping your foot, or dancing right along.
There is no foul language, drinking or smoking shown and there is only one scene where Jane is shown showering and putting on clothes, but she is shown from shoulders up, so this is a very family friendly film. This is a feel good movie, one that can brighten you right up if you’re feeling sad or angry. Just the “Get Happy” scene alone will have you smiling ear to ear. Yes, this musical is a bit cheesy, but not as cheesy as Oklahoma! or Easter Parade, and many others from back in the day. That still does not make this one bad.
This is definitely not as a good as Singin’ in Rain or An American in Paris, but it’s not terrible. It is wildly entertaining from begining to end, though the plot is very simple. Would I have paid to see this on the big screen or on stage? Probably not, but if I found it on TV or streaming, I may or may not watch it. Having seen this film already, I can say, this is not one I could watch over and over again like Singin’ in the Rain. It’s a cute movie, very enjoyable, but the over the top cheesiness could have been dialed back a lot. Overall, this a very good, not great movie, though it is a joyous watch. 9+ 3.5/5
Arthur is a 1981 American romantic comedy film written and directed by Steve Gordon. It stars Dudley Moore as Arthur Bach, a drunken New York City millionaire who is close to an arranged marriage to a wealthy heiress, but ends up falling in love with a common working-class girl from queens, played by Liza Minelli.
Arthur Bach is a spolied alcoholic from New York City, who likes to be chauffeured around in his Rolls Royce Silver Wraith limousine through Central Park. Arthur is heir to a portion of his family’s fortune, but only marries upper class Susan Johnson, the business aquaintance of his father. He does not love Susan, but his family feels that she will finally make him grow up. On a shopping trip with his valet Hobson, he sees a young lady, Linda Marolla, shoplifting a necktie. He negotiates with the security guard on her behalf and later asks her out. Despite his feelings for Linda, Arthur remains burdened by his family to marry Susan.
While visiting his grandmother, Martha, Arthur shares his feelings for Linda, but is warned that he will be disowned if he doesn’t marry Susan. Hobson, who has been more like a father to Arthur than his real father, realizes that he is starting grow up and secretly invites Linda to Arthur’s engagement party. Hobson tells her that he can sense Arthur’s love for her. Linda crashes the party, held at the estate of Arthur’s father, and she and Arthur get to spend time alone, which is traced by both families. Hobson is later hospitalized and Arthur runs to be by his side. Hobson dies and Arthur, who has been sober, goes on a drinking binge. At the diner where Linda works, Arthur proposes to her.
This film is equal parts funny, sweet and romantic. Dudley Moore is fantastic as the rich, spoiled Arthur Bach, who eventually learns wealth status is really not important in order to be happy. Liza Minelli, who we are so used to as a musical star, is great as Linda Marolla, the working-class girl that doesn’t need a lavish lifestyle to be content.
Arthur, although rich, realizes money and expensive things don’t make a person happy, as he is still lonely and has never been married. His family thinks that forcing him to marry a wealthy lady will help him grow up and be happy, but it does the complete opposite after he meets Linda. This movie shows how lavishness does not equal satisfaction,and that oftentimes, less is more.
Much of the humor and lines in this movie are cheesy, but not over the top. The plot of this film is very simple, but it is still entertaining and at times, laugh out loud funny and heartwarming. There is a good amount of time spent on Arthur’s booze binge after Hobson’s death, which doe make this movie a lttle less enjoyable, but at the same time, you can understand it.
Anyone who has never experienced love, or love in a long time can sympathize Arthur, also anyone with deep depression can too. Without the character of Linda Marolla, this would have been a dud a film. She is the breath of fresh air it needed to be really good, because I would have turned this movie off after about 20 or so minutes as it would have been nothing more than a story about a lonely, depressed, spoiled man wanting love. Although this film starts out that way, it does get a lot better when she is introduced.
Overall, this a good, not great movie. The acting is outstanding and the story is cute, but perhaps this is too simple of a motion picture, not enough action and drama, so it lacks in entertainment value. But it’s still not terrible, just not something I can watch all the time. It is rather slow and little on the cheesy side, but that may just be because of Dudley Moore, who was known for his campy characters and humor, but at the same time, I can’t imagine anyone else in the main role. This is one of the more serious, yet, still humorous roles that Liza has played and she is not campy or annoying like Dudley’s character, although they are perfect together.
What this film lacks in entertainment, it does make up for in being inspirational, charming and funny. 10+ 3.5/5
Bringing Up Baby is a 1938 American screwball comedy film directed by Howard Hawks, and starring Katherine Hepburn and Cary Grant. The film tells the story of a paleontologist in numerous quandries involving an absentminded heiress and a leopard named Baby.
David Huxley (Cary Grant) is a benevolent paleontologist. For the past few years, he has been trying to assemble the skeleton of a Brontosaurus but is missing a bone. Adding to his stress, is his approaching marriage to the morose Alice Swallow (Virginia Walker) and the need to impress Elizabeth Random (Mary Robson), who is considering a million-dollar donation to his museum.
The day before his wedding, David meets Susan Vance (Katherine Hepburn) by chance on a golf course when she hits his ball. She is a scatterbrained, eccentric young lady. These qualities soon entangle Davis in sever agonizing incidents.
Susan’s brother Mark has sent her a leopard named Baby from Brazil. Its tameness is helped by the song “I Can’t Give You Anything But Love.” Susan thinks Davis is a zoologists and manipulates David into helping her take baby to her farm in Connecticut. Troubles arise when Susan falls in love with him and tries to keep him at her house as long as possible.
David’s bone arrives, but Susan’s aunt’s dog George takes it and buries it somewhere. Davis founds out that the aunt is donor Elizabeth Random and that the leopard is for her, as she always wanted one. Baby and George run off and the zoo is called to help capture Baby. Susan and David run to find Baby before the zoo, mistaking a dangerous leopard from a nearby circus for Baby, they let it out of the cage. After being jailed let go after comfirming their idenities, they get Baby back to the safety of the farm.
This a funny, cute movie that both animal and romance lovers would enjoy. It’s plot is simple enough that both older children and adults can enjoy it too. It’s equal parts, funny and romantic and has a little bit of intensity. There is some adult humor that will go over kids’ heads, but it is very mild and not to be really concerned about, unlike the fairly intense scenes involving Baby, especially the scene where Baby and George fight violently. Just because there is no blood seen, it still may frighten young children.
This film was a commercial flop upon relaease and only made a small profit after its re-release in the 1940s. It fact, it was panned by both audiences and critics. Today it is celebrated as one of the greatest not just comedy film, but greatest films of all time. It has quite a bit of adult humor. Like a scene where Susan takes all of David’s clothes and he has nothing to wear but her negligee and her aunt walks in and sees him and asks why he is wearing it and he replies: “I just went gay all of the sudden!” Not only does this play on the two meanings of the word gay, it was the first time that gay was ever used to refer to homosexuality, even if it was being masked by the other meaning of the word.
There are many other scenes where the literal and figurative meaning of words are used, like in the dinner with David, Mr. Applegate, Susan and Mrs. Random, Mr. Applegate is trying to get David to open up about himself, but he won’t and Mr. Applegate says: “Well at least I got a rise out of him.” Mr. Applegate was trying to get a rise out of david using the figuative meaning, but David rose out of his seat and left, using the literal meaning. This kind of play on words in the dialogue is so fast, you may miss it if you don’t pay attention, but enjoy it so much if you do.
While this kind of writing has been around for centuries, this tounge-in-cheek kind of dialouge had limitations put on screenwriters when it came out in 1930 with the Motion Picture Production Code, which limited references to anything sexual, either audilbly, or visually in script. All of the talented writers in Hollywood had to create their dialogue to exclude sexual innuendos. Consequently, the screwball comedy was born, also known as “sex comedy without sex,” full of innuendos to cheat the code limitations and make the audience happy. Much of the punny script in this film will only appeal to adults, as young kids will not understand it.
The acting is superb in this movie from all of the main cast, including Nissa who played Baby the leopard. It makes no sense why this film was originally panned, as it great and very entertaining from begining to end. Maybe audiences and critics were hoping for something more action packed and/or romantic. Well, to me it is the right amount of both.
Animal lovers will likely love this movie, if they just put aside the animal abuse that ocurred. Whips and chains were used as the American Humane Association wasn’t enforced to monitor the use of animals in movies until several years later. Katherine Hepburn was pretty much fearless around the leopard, except for one time when the animal made a lunge for her and the trainer had to use a whip to calm it down. Cary Grant was less warm to the big cat and a double was used where his character and the leopard had to come in contact.
This is not your typical rom-com, it’s not mushy gushy and laugh out loud funny throughout, which make it much more entertaining if you ask me. Had this movie been just stomach hurting funny and schmaltzy, it would have been very unenjoyable and I very likely would have turned it off or walked out of the theater had I been alive (and old enough) in 1938.
Despite the few negatives associated with this film, it is still proably the greatest not just screwball comedies, not just comedies, but greatest movies of all time. This story feels like the screenwriter wasn’t happy with the original plot and threw it in a blender, turned it on, and decided to go with the end result, which is this chaotic masterpiece, that shouldn’t dare be remade. Sorry Peter Bagdanovich, but What’s Up Doc? is no Bringing Up Baby. 10+ 4.5/5
The Children’s Hour is a 1961 American drama film directed by William Wyler, based on the 1934 play of the same name by Lillian Hellman. The film stars Audrey Hepburn, Shirley MacLaine, James Garner and Fay Bainter.
In the early 1960s, former college classmates Martha Dobie and Karen Wright open a private boarding school for girls. After being egaged to doctor Joe Cardin for two years, Karen finally agrees to a wedding date. Joe is related to the well known Amelia Tilford, whose granddaughter Mary is a student at the school. Mary is a spoiled, manipulative child that bullies her classmates.
While Mary is being punished for telling a lie, one of her roommates overhears an argument between Martha and her Auny Lily. Lily accuses Martha of being jealous and having an unnatural relationship with Karen. When hearing this, Mary tells her grandmaother and Amelia spreads it around to the parents of the school.
Karen learns of this and aproaches Amelia about Mary accusing Martha and Karen of being lovers. Mary is hindered at convincing others that she personally saw the interactions between Martha and Karen. Knowing that her roommate Rosalie has stolen items from several people, Mary forces Rosalie to back up her story.
The two women file a suit of libel and slander against Mrs. Tilford. A few months later Martha and Karen are alone at the school, having lost all of the students and ruined their reputation after the lawsuit. Karen calls off her engagement to Joe when he asks if what was said Martha was true. When she finds out, Martha points out that other female couples have survived after being found out, because of the strength of their love, then admits that she has been in love with Karen for years. Karen says that Martha is just confused about her feelings, but Martha insists it really is love, breaking down in tears.
When this story first came out in 1934, it was on Broadway and was controversial for its lesbian content and when the play started touring the U.S., some theater owners refused to allow it to be performed. The same thing happened when the film version came out in 1961, some movie theaters refused to show it. Despite this, both the play and film versions were critically acclaimed.
The film deals with themes of sexuality, romance, theft, lying, spreading rumors and discipline. Lesbianism is the speculative “evil” that pervades the movie sailing between a lie and the heartbreaking truth deep within the lie. When the miserable and tortured teacher Martha Dobie (MacLaine) yells out, “I have loved you the way most people say I have!,” finally confessing her love to heterosexual Karen Wright (Hepburn), it is heartbreaking and painful to watch. She has to endure torture from the spreading of the gossip from Mary and Amelia Tilford.
The movie draws Martha Dobie as a mistake of nature. She is talked about as being unnatural and unhealthy and sinful. She has had to pretend to be heterosexual to save herself from misery, until one student eavesdrops one night and catches an earful of a private conversation between Martha and her Aunt Lily and the girl tells her friend and grandmother. Rather than be accepting of Matha as she really is, the parents of the students are so closed minded, religious and conservative that they believe same-sex relationships are a sin and withdraw their daughters from the school, prompting Martha and Karen to have to close down the school.
Martha never gets to be her true self until the end of the film, but the mystery leading up to that answer is extremely well done and when you finally find out, you are schocked. This film is very dark, despite not being scary. Karen is pretty good-natured, but stern at times, Martha is hardworking and almost too nice at times. Doctor Joe Cardin is romantic and can be sweet, but can also be tough. Mary Tilford is a spoiled brat, bully and liar. She makes you want to jump into the movie and lay her across your lap and spank, whether you believe in spanking or not. She is such a bad child. She ruins the reputations of Martha, Karen and the school. She also puts both teachers out of work.
There is nothing happy about this film, the entire picture is dark, depressing and very slow. I found myself quite bored many times throughout the movie. If I weren’t such a big fan of Shirley MacLaine and Audrey Hepburn, I would’ve turned it off. The film centers more on Martha’s secret and Mary and Amelia spreading the rumor, than Karen and her relationships with Doctor Cardin and Martha. This movie should’ve been called either Mary Spreads Gossip or Mary and Martha, as very little time is spent on the other characters.
The acting is outstanding from the lead cast, but that didon’t make the film that much more entertaining, in fact, I found this one to be quite uninteresting and being a big Shirley and Hepburn fan like I said, I was expecting more. This is the most boring movie of them I have ever seen. But I guess there’s only so mcuh you can do with a story like this.
The theme of same-sex love will turn religious conservatives off and may confuse younger children. Also the character Mary may freighten and/or teach children to lie, steal and bully. There’s really no violence other than a scene where Doctor Cardin spanks Mary, which was a common disciplining method back then and frequently seen in movies and on television, but it may make some people uncomfortable. There’s no foul language, drinking, smoking, or sex. There are a few kisses in the film, but they are brief. There is also a suicide scene and though it is not shown on screen, it is implied and will either confuse or distress kids. Movies don’t get much darker, duller or disheartening than this one. 11+ 2/5
Persuasion is a 2022 American romantic drama film directed by Carrie Cracknel and based on the novel of the same name by Jane Austen. It stars Dakota Johnson, Cosmo Jarvis, Nikki Amuka Bird, Mia McKenna Bruce, Richard E. Grant and Henry Golding.
The story follows Anne Elliot when Frederick Wentworth – the one who got away – comes back into her life, she most choose between putting her past behind her or going with her heart for a second chance.
Anne Elliot, an Englishwoman of 27, who family moves to lower their payments and lower their debt by renting their home to an admiral and his wife. The Captain Frederick Wentworth, was engaged to Anne in 1806, but their engagement was broken when Anne was convinced by family and friends to end the relationship. Ane and Captain Wentworth, both single meet again after seven years of seperation, setting the scene for a second chance at love and mariage and many humorous meetings.
Sometimes changing up well known stories works and sometimes it doesn’t. This film follows the story to extent but adds so much unnecessary stuff that it is hard to watch for the majority of the movie. It add humor and no Austen story is that humorous. There is also lots of drinking of red wine, lying around in bed and crying in the tub. She breaks the fouth in a “Fleabag” sort of style, making the character that was written as shy and introverted seem more talkative and extroverted.
Dakota Johnson’s Anne Elliot is for prettier than character is supposed to be as Austen had written that Anne was once beautiful but at 27, her beauty is fading and she is nothing but plain at best. Dakota is anything but plain. Also many of the costumes are not 19th century British-esque, nor are many of the hairstyles. Much of this film feels rather satirical than a serious romantic drama.
I’m not racist by any means and I understand that the director, casting director and producers didn’t want to come off as racist and such, but that just goes against everything Austen wrote and untrue to actual history. There were no black or half black, Asian or half Asian characters in any of her books and maybe she was racist (who knows), also her books were written as romantic dramas with very little humor.
Captain Wentworth tries to win Anne back many times and she rebuffs him until he gives up until the end. Charles Mugrove Jr., heir to the Musgrove estate, first proposes to Anne and the tells him she doesn’t truly love him. He ends up marrying Anne’s sister Mary. After learning that Anne turned Charles down, Wentworth tries to win her over again.
Mia McKenna Bruce is great as Anne’s dull and vain sister Mary. Newcomer Nia Towle brings a liveliness to the role to Anne’s sister in law Louisa, making the film seem more like a really long episode of Bridgerton than an adaptation of a Jane Austen novel. Henry Golding does a really good job as Mr. William Elliot, though it’s hard to get past the fact he’s Malaysian-British and hard to get past his good looks. Cosmo Jarvis is excellent as Captain Wentworth and probably the only realistic portrayal in the whole film.
This like a “Bridgerton” and “Fleabag” style retelling of an Austen work. It also feels like Shonda Rhimes wrote and directed it after reading just the Cliff Notes of the book. There is far too many differences from the real story and too much comedy and drinking. The film is far too focused on romance and not enough on the lives of the character like in book. The movie also has a very sexual feel, though there is no sex, closest thing being kissing, one character grabbing a female character by her waist and quite a bit of flirting.
Overall, this is not only the worst adaptation of a Jane Austen novel, but also a fiasco of a film that should’ve never been made. It is boring, hardly romantic and not the least bit funny. It seems like Netflix will greenlight just about anything these days. 10+ 2.5/5
The Apartment is a 1960 American romantic comedy-drama film directed and produced by Billy Wilder. It stars Jack Lemmon, Shirley MacLaine, Fred MacMurray, Tay Weston, Jack Kruschen, David Lewis, Willard Waterman, David White, Hope Holiday and Edie Adams.
The story follows an insurance clerk (Lemmon) who, in the hope of climbing the corporate ladder, lets more superior coworkers use his Upper West Side apartment to carry out extramarital affairs. He is attracted to to an elevator operator (MacLaine) in his office building, unaware that she is having an affair with his boss (MacMurray).
C.C. “Bud” Baxter is a lonely office worker at an insurance corporation in New York City. To climb the corporate ladder, he allows for company managers to take turns borrowing his apartment for extramartital relations. Bud carefully balances the “booking” schedule, but the continuous stream of women in and out of the office convinces his neighbors that he is a playboy, bringing someone home every night.
Bud solicits great performance reviews from the four managers and gives them to personnel director Jeff Sheldrake, who then promises to promote him – but Sheldrake also demands to use the apartment for his own affairs, starting that night. As compensation for his short notice, he gives Baxter two theater tickets fot that evening. Bud asks his secret crush, Fran Kubelik, an elevator operator in the office building, to join him. She agrees, but first meets up with a “former fling,” who turns out to be Sheldrake. Sheldrake discourages her from breaking up with him, promising to divorce his wife, they go to Bud’s apartment, as Bud waits, stood up outside the theater.
Later, at the company’s terrible Christmas part, Sheldrake’s secretary, Miss Olsen, tells Fran that her boss has had affairs with other female employees., including herself. Later, at Bud’s apartment, Fran confronts Sheldrake. He confesses true love for her, but then leaves, going back to his family in the suburbs, as usual.
Bud – having realized that Fran is the woman Sheldrake has been taking to his apartment – let’s himself be picked up bya married lady at a local bar. However, when they arrive at his apartment he finds Fran, passed out from an an apparent suicidal overdose of his sleeping pills. He sends away the woman from the bar and calls Dr. Dreyfuss, a medical doctor living in the next-door apartment, to save Fran. Bud at first makes Dr. Dreyfuss believe that he was the cause of the incident. The doctor scolds Bud for this and instructs him to “be a mensch.”
While Fran spends two days getting well in the apartrment, Bud cares for her and a bond grows between them, especially after he confesses his own suicice attempt over unrequited feelings for a woman who now sends him a fruitcake every Christmas. When Sheldrake learns that Miss Olsen told Fran about his affairs, he fires her, but she fights back by telling it all to Sheldrake’s wife, who quickly throws her husband out. Sheldrake believes this situation makes it easier to persue his affair with Fran. After promoting Bud to higher position at the firm, Sheldrake expects Bud to loan out his apartment again, be instead, but gives him back the key to executive washroom and quits the firm. After learning about Bud quitting the firm, Fran realizes she is in love with Bud and runs to his apartment.
This was a controversial film upon it’s release, for depictions of infidelity. The film does seem at times to act like that is no big deal by making light of the issue, but later in the movie, the main characters having the affairs, realize what they’re doing is wrong and do eventually end it. This movie is partly a comedy and adultry is no laughing matter, which makes some of the humor a bit uncomfortable, but some of it is laugh out funny.
Jack Lemmon plays C.C.Baxter, a lonely man who loans out his apartment to executives of his company who string him along with hopes of promotions and raises. His neighbor Dr. Dreyfuss (Jack Kruschen) hears the nightly sounds of affection through the wall and thinks Baxter is a steadfast lover, when in fact, Baxter is pacing out front, looking up woefully at his own window because he can’t even go home to peace to and quiet.
Baxter starts out as an unlikable character who will do anything to climb up the corporate ladder, even if it makes him even more lonely. He then turns into a more likable character when he starts to care for Fran after her overdose and he realizes he needs to a better person and cuts off all the liasons at his apartment. Fran is a rather dull character that for some reason several employees go after. Perhaps it’s because she was an easy nab and was easily persuaded.
Jack Lemmon is outstanding in this movie as C.C. Baxter. Fred Mac Murray is great as Sheldrake and Shirley MacLaine is also great as Fran. This film is equal parts awkward, funny, dramatic, romantic and heartwarming. Some might be uncomfortable with the infidelity in this one, and yes, it is a bit much for much of the movie, but this is still a wonderful film regardless. It is a motion picture that doesn’t rely on heavy costumes and makeup, CGI or a really strange or very unrealistic plot and many movies today are not like this. The storyline is just simple enough that it is not boring but will make you laugh and cry and it will warm your heart as well. This is what you call not just a classic but a truly spectacular film! 4.5
Harold and Maude is an American black-comedy drama film directed by Hal Ashby. It incorporates themes of dark humor and existentialst drama. The story follows the adventures of Harold Chasen (Bud Court), a young man who is obsessed with death, and who rejects the life his disconnected mother (Vivian Pickles) gives to him. Harold develops a friendship and then romatic relationship, with 79 year old Maude (Ruth Gordon) who teaches Harold about the importance of living life gto the fullest.
Harold is so intrigued with death, he reenacts suicides, drives a hearse, reads obituaries and goes to funerals of random people, most of whom he doesn’t know. Maude is elderly, but doesn’t act like it all. She loves funerals too, but also steals, drives too fast, breaks the law by speeding, running stop signs and red lights and blasting music. She is young at heart, which is why Harold falls in love with her. Harold wants to marry her, but his mother refuses to allow him, given Harold and Maude’s 60 year age gap and the fact she doesn’t have many years left in her life, despite her seemingly perfect health.
This is film is billed as a dark comedy, but I see almost no humor. I don’t think suicide is something to laugh at, real or not. I also don’t think someone’s loved one dying is funny either. I see this movie as more of a drama with romance thrown in. The scene where Maude coaxes Harold into them stealing a car and she speeding away is pretty funny, but other than that, no humor.
This movie is a bit disturbing. Just the fact the lead character is obsessed with dying and ways to die is unsettling and the fact he falls for an elderly woman. This silm is far too dark for a PG rating. I can’t imagine letting an eight year old watch it and them understanding and enjoying it. Too dark, or really just plain inappropriate for kids.
Harold should have been institutionalized, as his love for death is deeply disturbing. Maude should not have been allowed to drive, or even let outside, since she likes to prey on much younger fellows. The acting is great throughout. But this film is far too dark. Had there had been more light, more sun, it would likely been at least a little more enjoyable. I just don’t understand all the hoopla with this movie and why it is a film school staple. It has hardly any redeeming qualities aside from the excellent acting and Cat Stevens soundtrack. It is slow, dark, boring and depressing. No wonder it was a box-office bomb when it was first released.
The movie’s soundtrack is by singer-songwriter Cat Stevens. The theme song is the feel good “If You Want to Sing Out, Sing Out” by Stevens and after seeing this film, one will never hear this song the same way again. They will only associate this song with the film and it dark themes and sad scenes.
Great acting and music doesn’t help in the enjoyment department, as this is one of the worst movies I have ever seen. I found myself feeling so uneasy and so bored, I was glad when it was over.
Don’t waste your time on this movie. It may be a classic, but it is far from being a masterpiece. 13+ 1.5/5
Where the Crawdads Sing is a 2022 American coming of age crime film directed by Olivia Newman, based on the 2018 novel of the same name by Delia Owens. It stars Daisy Edgar-Jones, Taylor John Smith, Harris Dickinson, Michael Hyatt, Sterling Macer Jr. and David Strathairn.
Catherine “Kya” Clark is an imagainative girl grwing up in a North Carolina marsh on the coast during the 1950’s. Her poor family live in a shack with their alcoholic and abusive father who gambles their money away. After her mother and sibling leave one by one, due to the abuse, Kya is left alone with him. Over time he softens up and then leaves her without word, a fews after the only day she spends in school. Now at the age of seven, she is completely alone, but learns how to survive, and the only way she makes any money to buy gas for her boat and food is to sell mussels she digs up herself. The other residents of Barkley Cove know little about Kya, nicknaming her “The Marsh Girl.”
On the same day her father leaves her, Kya takes his boat as far as the ocean and gets lost trying to find her way home. Luckily she runs into an older boy named Tate Walker who shows her the way home safely. He was a friend of her older brother, Jodie and had known Kya since she was very little. Tate begins visiting her in the marsh and they become good friends as teenagers. He teaches her to read, write and even loans her books. Both share an interest in natures and they eventually start a romantic relationship. However, she gets left behind when Tate goes away to college and fails to keep his promise of visiting her on the fourth of July.
Over the next few years, as her knowledge and skills of biology grow, Kya sends her artwork and research to a publisher, as Tate encouraged previously and the payment from the book helps her keep her family’s property. The publishing of the book leads her to seeing her brother Jodie again, now a military veteran. He tells her that her mother wanted to reunite with her children became sick leukemia and died. Jodie promises to visit her when he can.
By 1965, now 19 years old, Kya gets into a tryst with Chase Andrews, Barkley Cove’s popular quaterback, who promises her marriage. When Kya finds out that Chase is already engaged to another girl, furious, she ends their relationship. Meanwhile Tate returns to town wanting to appologize to Kyra for leaving her behind and rekindle their relationship, but she is unsure. Chase keeps to get Kya back and wants to contunue their sexual relationship, but she rejects him. He then violently hits her and tries to rape her but Kya successfully fights him off and threatens to kill him if he messes with her again. The threat is overheard by a local fisherman.
Later Chase is found dead at the bottom of a fire tower, from which he had fallen. The tower is located in a muddy and wet bog that gets flooded at high tide. The surrounding area had no tracks from the killer and no fingerprints were found on the tower. A shell necklace Kya had given Chase was missing and he had be wearing it the evening of his death. The next day Kya is charged with murder and the townpeople jump to the conclusion that she is guilty.
This film is like Fried Green Tomatoes meets To Kill a Mockingbird, which makes it sound like it would be a great movie, but it is good at best. Based off a bestselling novel that is actually really good, you’d think the film version would be too. The acting is eqally great from all the main cast, the scenery is absolutely beautiful and they costumes are period and setting perfect. The soundtrack is also really good. The main problem with this one is it is really slow for much of the movie. Many scenes seem to drag on and I found myself getting rather bored many times throughout.
Had this film not been so slow, it would have been more enjoyable. Also, their is lots of kissing and sex, which I know this is also a romantic movie, but the director could have dialed that back a little, as we already knew the characters were in love without so much of that. This being mainly a murder myster film, made it fairly entertaining, but not captivating, though I love a good mystery and I like romance, as I am a hopeless romantic.
I really wanted to love this movie as much as I loved the book, but I just didn’t. With the book, I couldn’t put it down, with this film adaptation, I was thoroughly bored for a good bit of it. I am so disappointed I couldn’t like the movie as much as novel. I just don’t understand why it had to be so slow, why so much making out and sex and unlike the novel, why such little time was spent investigating the death of Chase. This film will very likely not win any Best Picture awards, probably not any Best Director awards either, but could possibly win a Best Actress or Actor trophy or Best Original Song for Taylor Swift’s “Carolina.”
Do I recommend this movie? Don’t waste your time and money with this one in theater. If you really want to see it, wait for it to go to Redbox or streaming. Another pretty disappointing film based on a phenominal book. 18+ 3.5/5
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