The Last Letter From Your Lover (2021)

The Last Letter from Your Lover is a 2021 British romantic drama film directed by Augustine Frizzell, base on Jojo Moyes’ 2012 novel of the same name. It stars Felicity Jones, Callum Turner, Joe Alwyn, Nabhaan Rizwan and Shailene Woodley.’

It modern time, Ellie Haworth, who recently broke up with her long time boyfriend, has to write an article about the recently deceased editor of her paper. Finally getting passed the archivist Rory to access the editor’s archive, she finds a letter to someone called “J,” from “Boot.” Affected by the emotional feelings between the mystery couple, Ellie becomes determined to know the indentities of the couple and how their love story had ended.

In the mid-1960’s, wealthy socialites Jennifer Stirlng and her husband Laurence travel to the French Riviera for a summer vacation. Foreign correspondent Anthony O’Hare comes to interview Laurence at a dinner party. Jennifer overhears Anthony insulting the Stirlings and their indulging lifestyle, causing Anthony to apologize to Jennifer. Anthony invites the Stirlings out to eat the next day, but Laurence is taken away on a sudden business trip, leaving Jennifer and Anthony to spend the summer together until he returns. They start to write letters using pennames “J” and “Boot.” Neither act upon their blossoming chemistry, until Jennifer impulsively tries to kiss him. When he turns away from her, she runs away. Days later, a letter penned by Anthony comes to her, coaxing to her to meet him at Postman’s Park in London. They start a crazy affair, spending time together where can be safely with him.

Romantic drama films involving affairs have been done time after time, some are very well done, others, not so much. This one is different, as is a story within a story, taking place in present day London and 1960’s French Riviera and London. It can be rather slow at times, making it a bit boring, but it never passion, in the today or past settings. There are many really good things about this film. All the stars are equally fantastic in their roles, the soundtrack, cinematography and costumes are all fabulous, fitting film perfectly.

I used to not be a big Shailene Woodley fan until I saw her in this movie and my opinion instantly changed, except I’m not sure whether she’s supposed to be British or not like her two lovers, as her accent is very weak if is supposed to be. She looks beautiful every second of this film, unlike most of her roles where she plays a tomboy. Her looks are very Jackie Kennedy-esque. Woodley has proved she can take on much deeper roles and is far past Divergent, the series that made her a household name.

This movie has the feel of a Bronte, Austen, or Woolf novel and reminds me a bit of the book and film Atonement, which is also a story within a story and features an affair, the only thing is, Your Last Lover probably won’t be nominated for any major awards, as the story is a bit unoriginal. Jojo Moyes is a modern day Austen meets Bronte. She knows how to write romance and stir emotions, maybe not quite as good as her influences, but not half bad either. This story takes you on journeys from the age of the mini-skirt to modern time and does it so well, not spending too much time in either world.

There film is so deep and full of emotion, both good and bad. So many critics are panning this movie, but they don’t see it for its true art. Yes, they spend a lot of time showing Jennifer (Woodley) and Anthony (Turner) making out and making love, but that is really one of the few bad things about this movie. It can be slow at times, like I said as well and maybe there are bit too many affair films, but that’s all. It is still great film otherwise. Don’t let the bad reviews deter you from watching this one.

18+ 4/5

Top Feminist Films Part 2

60. Faces – 1968

61. A Smiling Madame Beudet – 1923

62. 3 Women – 1977

63. Drowning by Numbers – 1988

64. Street of Shame – 1956

65. Women Without Men – 2009

66. Entre Nous – 1983

67. The House of Sand – 2005

68. Sweetie – 1989

69. Girls Town – 1996

70. The Children’s Hour – 1961

71. Ukraine is Not a Brothel – 2013

72. Bhutto – 2010

73. Kadosh – 1999

74. Klute – 1971

75. Real Women Have Curves – 2002

76. Lovely & Amazing – 2001

77. A Taste of Honey – 1961

78. He Named Me Malala – 2015

79. It’s a Girl! – 2012

80. Medea – 1988

81. After Tiller – 2013

82. Mrs. Parker and the Vicious Circle – 1994

83. A Case of Rape – 1972

84. Girl Rising – 2013

85. The Apple – 1998

86. When We Leave – 2010

87. Everlasting Moments – 2008

88. Stella Dallas – 1937

89. Camille – 1936

90. Tangerine – 2015

91. The Sleeping Voice – 2011

92. The Invisible War – 2012

93. She’s Beautiful When She’s Angry – 2014

94. RBG – 2018

95. Adam’s Rib – 1949

96. Harper Valley PTA – 1978

97. The Burning Bed – 1984

98. Working Girls – 1986

99. The Watermelon Woman – 1996

100. Offside – 2006

Classic of the Week: Broadcast News (1987)

Broadcast News is a 1987 American romantic-drama film written, produced and directed by James L. Brooks. It stars William Hurt, Albert Brooks and Holly Hunter. The film follows the story of a television news reporter who has emotional breakdowns every day, a picky yet genius reporter and their charming but significantly inexperienced rival.

This film is does a great job at showing how the daily life of a TV news station. It doesn’t shy away from showing the good and not so good of being in the TV news world. It does it so deeply, letting learn all about different the professions, but it also has many other elements too. It has drama, humor and romance. Although this is considered a romantic comedy as well as drama, it isn’t super mushy gushy like so many romantic films. The different elements are all executed with the right amount of each genre.

This movie shows how life throws curve-balls sometimes and that sometimes life can be great. Although the story is about a news station, they don’t focus too much on the reporting, because they reveal not just their working world, but the main characters life outside the studio, how they live, their love lives, etc. Jane is portrayed as a spunky and socially awkward, yet assertive in her work type character, a female warrior type that was rarely seen in movies and still rarely seen today.

This film is serious at time but not too serious serious like other movies about TV news stations (Network). It has drama and depth as well as charm and humor, though much of the latter. All of the acting fantastic. This isn’t the most exciting movie, but it’s far from boring. Each character is unique and they are intertwined in some ways until the end.

The ending may or may not turn out the way you want it too, but is the beauty of film making, to leave it up to viewers to have their own opinions. You’ll laugh, cry, cheer and get angry, because this movie bring out all emotions and does it so brilliantly, not many films today can do that. The casting is perfect, the cinematography is excellent, as well the story. This is motion picture has many different things going on, which may confuse some viewers.

This is a story of not just a news station, not just the reporters lives, but of working life, love and friendship. The characters may get mad at each other but they always have each other’s backs. You also really feel like you are there at the station in those scenes. Some critics may say this film has a bit of a sitcom feel to it, but they are wrong in my opinion.

The character of Tom Grunick (Hurt) can be a tad stiff and self absorbed with being successful. Jane Craig and her breakdowns from stress do get a bit old and make you want to tell her to get a therapist. But that doesn’t make them bad characters, just a a bit annoying, but it doesn’t make the film less enjoyable. With it’s drama, it’s small percentage of humor and romance, it is one that can enjoyed over and over.

This film is so smartly written and directed, that so many news related films haven’t come close to the brilliance of this one. A truly fantastic movie with different stories that make it truly one of a kind. 18+ 4/5

Soul (2020)

Soul is a 2020 American computer animated fantasy comedy drama film produced by Pixar Animation Studios and directed by Pete Docter and co-directed by Kemp Powers. The film stars the voices of Jamie Foxx, Tina Fey, Graham Norton, Rachel House, Alicia Braga, Richard Ayoade, Phylicia Rashad, Donnell Rawlings, Questlove and Angela Bassett. The movie follows the story of middle school music teacher named Joe Gardner, who tries to reconnect his soul and his body after they are accidentally separated, just before his start as a jazz musician.

This is definitely one of Disney’s darkest and deepest films. The main themes of this movie are death, afterlife, finding purpose and the meaning of life. These themes were executed well, though far from perfect. Too much time is spent in the “Great Beyond” and “Great Before” (AKA Heaven) with the soul creatures, a lot of mature themes, is quite slow much of the time and just really depressing until the end. I like the message of finding purpose, but the rest are heartbreaking and almost sacrilegious.

The animation is phenomenal, as well as the soundtrack that both Jamie Foxx and Trent Reznor composed. I found myself both bored, a bit offended and appalled at times and not really entertained by this film at all. Being a Disney and Pixar fan I was hoping to really like this movie like majority of critics and viewers, but I really didn’t. The story seemed push religion, philosophy and psychology, to the brink at times to offensiveness. With an all-star cast and production companies, you’d expect an outstanding motion picture, though like I said I didn’t care much this one.

I’m all for a black lead character, but this film seemed to do like so many films and do black against white, like when 22 (voiced by Tina Fey), an unborn white girl switches body with Joe (Jamie Foxx), it just feels really uncomfortable and a tad racist by some of the remarks made the two lead characters. There’s lots of adult humor, talk about death, souls and the meaning of life and finding your spark. Young children will not understand this movie at all. Just the fact Joe is killed within the first 10 minutes, is not the message you want to send to kids. Yes, kids do need to learn about death and all, but not like this.

You can do a film about death and the meaning of life, without it being so dark and not going quite so deep into these subjects. Even a family movie can use these themes and not confuse and/or frighten children. I’m sorry but Disney took this one too far. The best scenes to me aren’t in the “Great Beyond,” which the most of the movie’s setting, but when Joe’s playing music. I’m just dumbfounded that this story ever got green lit. Yes, Disney has a percentage of darkness in all it’s films, but it’s usually not for the majority of the movies’ runtime.

I wish the movie had focused more Joe’s own life rather than his adventures with 22. More about his childhood, education and things like that would’ve made it more fascinating. Overall, this film had me scratching my head as how this ever got made and why people love it so much. A movie that is pretty blasphemous and heavy-hitting and very sad. I guess you can call this Disney’s “Anti-Disney” film. Whether you believe in afterlife and heaven or not, it’s blatantly obvious what they were going for here. I’m all for pushing the boundaries and a little controversy, but don’t sell it for kids.

Overall, the animation is spectacular, so is the soundtrack, but I really didn’t enjoy this film much at all, it was lacking far too much and kept me scratching my head. While I normally cry at Disney movies, this one didn’t do that to me, like it did the others I watched it with. Conservative Christians may or may not like this movie. At the same time for older children, it will give grown-ups an opportunity to talk about God, Death, help them find their “spark.” Younger viewers will be bored and confused, as this movie is very complex in the themes and there are two different settings.

Do I hate this film? No. But do I like it? A little bit. Maybe Pixar’s next film will be more exciting and not offensive. Nice try guys, but you struck out on this one. 10+ 2.5/5

Music (2021)


Music is a 2021 American musical drama film directed by singer-songwriter Sia. It stars Kate Hudson, Leslie Odom Jr. and Maddie Ziegler and is Sia’s directorial debut. The movie follows Zu, a freshly sober drug dealer who becomes the sole gaurdian of her half-sister Music, a teenage non-verbal autistic girl.

When I first read about Sia making this film, I was excited, as I am on the autistic spectrum myself. I also love Sia’s music and was eager to this movie. After reading and hearing all the controversy, I was still willing to give it a try, so I tried to watch with an open mind. There are very few good things about this film and lots of bad. I applaud the music, the choreography and Sia for her idea, but the idea wasn’t executed well at all. It is supposed to shine a light on autism and instead does not. It stereotypes and shows scenes that are actually harmful to autistic people, like the restraint scene and the flashing lights and loud music, that would cause an autistic to have either a meltdown, panic attack or seizures. The fact the main character is unaffected by the brightness and loudness is the complete opposite of a person on the spectrum.

This film doesn’t educate neurotypicals (as they’re called in the autism world) about autism (particularly non-verbal), it instead paints a world with a combination of stereotyping and falseness. Yes, all people on the spectrum are different, but this like a picture painted by someone who knows very little about the disabilities. I know the actors and actresses were just doing as they were told to, so no fault to them. This is all on Sia and screenwriter Dallas Clayton, who created what they thought would be a masterpiece, but instead it is just a horrible piece that should’ve never been filmed in the first place. The mere fact that Sia worked with Autism Speaks, a charity trying to cure autism, is bad too, as there is no cure.

Kate Hudson does a good job in her role as Zu. Leslie Odom Jr. is the stereotypical gay African American, but is just okay in his part. Maddie Ziegler does mediocre in the title role, but I believe that isn’t necessarily because she’s not autistic, but because she needs more experience at just acting alone, instead of dancing and acting combined like she normally does. She was just going by what she saw in videos and movies and tried to reenact what she saw.

So many people criticize Sia for not casting an autisic actor or actress for the lead part, and although it would’ve made it more realistic if she had, non-disabled people can play disabled characters like Leonardo DiCaprio in What;s Eating Gilbert Grape, Daniel Day Lewis in My Left Foot, it has to be done right like these films. Research has to be done extensively and I believe both Sia and Dallas Clayton did very little of.

Overall, I loved the music and the parts of the story, but didn’t really enjoy this movie. I was mostly bored, confused and offended throughout watching. I wanted to like it and prove people wrong about the controversy, but hated for the most part. I now get the criticism, the disgust and hatred towards this film. All the good reviews are mostly from neurotypicals who don’t know much about the autistic spectrum, if at all, they just see the art of the film, not the story, cinematography and art combined.

Whether you’re on the spectrum, have another disability(ies), or not, do not bother watching this film. It is offensive to the max and boring, even the song and dance scenes are mediocre at best. Sia should be ashamed of this piece she calls art. It’s not art, it’s garbage. I don’t know how anyone can like this movie or even make it through the first 20-30 minutes without being appalled. This is a cringe-worthy pile junk that just seems thrown together fast and called a motion picture. Nothing carefully curated to be the least bit realistic. Wow! Just Wow! 13+ 1.5

Classic of the Week: A Taste of Honey (1961)

A Taste of Honey is a 1961 British film adaptation of the 1958 play of the same name by Shelagh Delaney. The film is directed by Tony Richardson, who also directed the play on stage.

The film follows a teenage girl named Jo and her mother Hellen as they moved their few belongings across Manchester on a bus. Jo’s mum is an alcoholic who becomes engaged to a much younger and wealthier man. Jo meets an older fellow who works on ships and they eventually fall in love and and have sex, before having to set sail. He assures he’d be back soon, but never comes back. She ends up moving into a ramshackle home with a gay friend and finds out she is pregnant.

This film is so realistic, you almost feel as if you’re watching a documentary and not something fictional. The acting is great from all the main stars, but much of the movie is so slow, it’s boring. This is an extremely depressing film as well, mostly just sad scenes and a few somewhat happy ones. Although the acting is superb, the main characters are all hard to like. Helen is a heavy drinking, money spending and self centered lady, Jo complains too much and ends up with a baby as a teen, Jimmy is far too nice at first, then gets Jo pregnant and leaves, Helen’s fiancé is a jerk and hates Jo and Geoffrey (Jo’s roommate) is not too bright and far too sweet.

Even though this a a rather dull film, it is still relevant in this day in time with today’s “Teen Moms,” only without much of the trash that’s seen on TV and in movies. This movie is raw and straightforward. It shows the life of a teenage mother who is forced to decide wether to have the baby or not.

I cannot imagine this story ever being a stage production, because it was hard to sit through much of this film without yawning. Despite this, it is a powerful learning tool in the life of a teen parent and the struggles they go through. There is not one ounce of humor or glory, only short lived romance and much extremely heartbreaking scenes. This movie was controversial fr the time, being the use of single mothers, homosexuality, inter-racial kissing and underage parenting. It was banned in several countries, despite bing a critical success and award winner.

If you want a movie about underage motherhood that’s more uplifting try Juno. If yo want want a serious one on the subject, try this one, you’ll either love it or hate it. You’d think with such a strong message and raw storyline, this film would have been better to me, but I was thoroughly bored throughout. The writers and directors could have done a better job with this piece. 18 & up 3/5

Classic of the Week: Drugstore Cowboy (1989)

 

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Drugstore Cowboy is a 1989 American crime drama film directed by Gus Van Sant, based on the autobiographical novel by James Fogle. It stars Matt Dillon,  Kelly Lynch, Heather Graham and William S. Burroughs. At the time the film was being Mae, the source novel was unpublished and later published in 1990, by which Fogle had been released from prison.

The film follows Bob Hughes who leads a group of drug addicts in the 70s – his wife Dianne, best friend Rick and Rick’s teenage girlfriend Nadine- traveling across the Pacific Northwest, robbing pharmacies and hospitals to help their drug addictions.

This film has an indie feel to it and takes you into the life of a crew of drug addicts and dealers and does it so well. Parts are very slow, so the film is boring at times, but you get to take a trip into a life of drug related crimes and health issues. Every single character is both alike in their dope obsession bot also very different. Matt Dillon is great as Bob Hughes the ring leader of the bunch, Kelly Lynch is equally great as Dianne Hughes, his wife. James LeGros is excellent as their best friend Rick and Heather Graham does a fine job as his girlfriend Nadine.

This film stakes you for a long dope filled ride into a an intense world of drug addiction, theft and drug dealing. The characters are so addicted the most feed their habits all the time and in order to do that, they must beg, borrow and steal. At first, they are very clever at being sneaky and stealing the drugs and hiding them, but then they are eventually caught and sent to prison.

This movie is filled with of course with drugs and substance abuse, crime, homelessness, money issues and illnesses. It is done quite well, although much of the movie is a bit boring. Some scenes have .little or no dialogue, but it fits the story. There is nothing exciting about this film at all, it is one horrible event after another.    Despite being rather dull in some scenes, the acting is fantastic, the soundtrack perfect, but the cinematography is rather dull so much of the time, making it seem like a cheap documentary, rather than a drama movie. I guess this was got make it seem more realistic, although it is an independent film. This is only Gus Van Sant’s second film.

This isn’t the most engaging film. In fact, I found much of it to be very dull, almost to the point of nt wanting to continue watching it, but it does get better not outstanding but a lot better. But what do you expect from a movie based off a book with this story? Not a musical that’s for sure.

Overall, this movie is very good, but not great. For a story like this, I was expecting a bit more action. There is violence is some parts, but much of this film just plain slow. They spend too much time in one setting in some scenes. I wasn’t expecting a wildly entertaining motion picture, but definitely not one that bored me nearly to sleep at times. Great plot, well done film. Adults only 3/5

The Night Clerk (2020)

The Night Clerk is a 2020 American crime drama film written and directed by Michael Cristofer. It stars Tye Sheridan, Ana de Armas, John Leguizamo Abdul Helen Hunt. The film follows the story of front desk clerk at a hotel that is suspected of a murder that happens after his shift.

Bart Bromley is a twenty- three year old man with Aspergers Syndrome who lives with his mom, Ethel. He works as a front desk clerk at night at a local hotel. He studies guests staying at the hotel with hidden cameras to help with his social skills. At home in his room, he has several screens set up to watch what he records from work. The videos start out innocent, but take a dark turn when he witnesses a man hit a woman and the murder of another female guest.

He meets a young lady, Andrea Rivera, who is a guest at the hotel and after spending hanging with her for the next few days, he becomes infatuated with her, even going the length to buy a new a car, get a haircut and dress clothes. But his work goes down the drain when he sees her with another man and becomes jealous. He soon forgives her after she cones to him at the front desk saying it was over with the man. She leads him, first acting a friend, then flirts with him and leaves with another man, that Bart knows is the murderer of the other lady.

Bart is found sitting on the bed of crime scene room when his coworker finds him and tells him not to touch anything, he’s going to call the police. Bart disobeys him, touching the blood of the dead woman, taking the chip out of his hidden camera and other things, leaving his fingerprints as evidence, as wel as the blood on his shirt. Because of this, police consider him a likely suspect.

Bart loses his job, confronts the man Andrea has been seeing, after catching him hurt her in her hotel room. Andrea and Bart escape to his house, where he shows her the hidden camera footage. She decides to play it safe and stay the night with Bart. Bart awakes to find her gone.

There have been many films involving autistic characters, some better than others. Some hit the nail on the head as far as mannerisms, lifestyle, etc., but many stereotype. This film gets Aspergers almost perfectly. Tye Sheridan is outstanding as Bart Bromely, portraying a socially awkward, autistic young man so well, making him seem like a real person. Helen Hunt is great as his mother Ethel Bromely, who is a little bit of sheltering mother, but also protective and loving. Ana de Armas is also great as Andrea Rivera, who plays with Bart’s mind throughout the film. John Leguizamo is fantastic as Detective Espada, who at first is iffy about making Bart a likely suspect, because of his disability, but is forced to do it.

Autistic people have trouble reading people’s emotions and the often have trouble understanding what a person has said. The often act or say inappropriately as well. Bart is prime example of that. He knew it was wrong to tamper with the evidence, but he wanted to get the camera and the footage out. He didn’t realize that Andrea was just playing him and trying to frame him until closer to the end of the film.

While the acting is superb in this movie, it does focus a little too much on Bart, his condition and him being likely guilty by police, rather than trying to find more evidence and reasons to arrest or not arrest him. This film starts out rather slow, but does pick up, other scenes are pretty slow too. You want Bart to get over Andrea, but he can’t, that’’s the way he thinks. He tries so hard to be more social, but it doesn’t always work.This isn’t action packed, but some scenes are pretty intense, some disturbing

You don’t have to relate to Bart or know anyone with Aspergers to enjoy this film. Although I don’t think is movie is fantastic, it is pretty good. It makes you wonder about howe disabled people get accused of crimes they didn’t commit. The acting is great, but there could have been a little less Andrea and Bart’s crush on her, could’ve been focused on less, it’s a crime drama, not a romance. I didn’t love this film, nor did I hate it. It was only petty good, because it did need some changes to be excellent. 18 & up 3.5/5

Classic of the Week: Diner (1982)

Diner is a 1982 American comedy drama film written and directed by Barry Levinson, in his film directorial debut. It stars Mickey Rourke, Steven Guttenberg, Daniel Stern, Paul Reiser, Kevin Bacon, Timothy Daly and Ellen Barkin.

The semi-autobiographical film is set in the northwest section of Baltimore, Maryland during the last week of 1959 and tells the story of a circle of friends, now in their twenties, who reunite for the wedding of one of the friends in the group and the title makes reference to their late night hang out, the fictional Fell’s Point Diner in Baltimore’s Fell’s Point neighborhood. The film follows the changing relationships among these friends as they become adults.

This is a film with a simple plot, that most group of friends can relate to. The friends in this movie share a celebration of one getting married. They reunite at the diner they hung out at as kids over food, coffee, music and laughs, they party, dance, drink until they’re drunk, talk about life growing up and as adults, go to the wedding, share tears, hugs and toasts and dance some more. They drink lots of coffee and smoke lots of cigarettes, but nearly everyone smoked back then.

Each character is unique one is getting married, one fears marriage, one has a semi-pregnant girlfriend and one has a high paying job he hates. This film might have inspired other movies as well as television shows featuring groups of friends at their favorite hangout like the films The Big Chill and Grosse Point Blank and television shows Seinfeld and Friends. There are laugh out loud and touching moments in this film.

For such a simple plot, with such simple, (yet relatable) characters, you’d think this film would be completely boring, but it is far from it. It shows a group of buddies getting together again to be there for a member of their circle’s wedding. After being apart, (though they kept in touch), for so long, they still shared a close bond, a brother type relationship that so many, even today, don’t have. It was great how they seemed like they hadn’t been apart for a long time.

Yes, this is pretty much a “guy” comedy, but me, being female, thoroughly enjoyed it. It is very entertaining for the most part, because several scenes are a bit slow, but I know that is for dramatic effect, so can’t really complain when it’s necessary to the plot. This is both a happy and not so happy film. There is a wedding for one character , but their is also the other character who is too afraid to propose to his longtime girlfriend and the one guy who complains about his job. You don’t have to be male, or even in your twenties to relate to any of the main dudes. You don’t have to like football, or even sports, or 50s music, to enjoy this movie, nor do you have to be a fella.

This both a happy and a not so happy film. Some parts are pretty slow, but that’s for dramatic effect, so can’t complain if it’s necessary to the plot. Although the guys are young, many times in the movie they seem much older, because the screenplay is smartly written, making each character have a sense of maturity, unlike most twenty something characters from today, who act more like wasted immature junior or high school students. The guys in Diner are wise beyond their years. A great motion picture from beginning to end. 18+ 4.5/5

Classic of the Week: Baby Doll (1956)

Baby Doll is a 1956 American black comedy film directed by Elia Kazan, starring Carroll Baker, Karl Malden and Eli Wallach. It was adapted from the Tennessee Williams play 27 Wagons Full of Cotton. The film centers on a feud between two rival cotton gin owners in rural Mississippi; after one of the men burns the other’s gin down. The owner fights back by trying to woo the arsonist’s nineteen-year-old virgin bride hoping to receive an acknowledgment of her husband’s guilt.

This film was highly controversial upon its release, largely due to its overly sexual themes. The Roman Catholic National League of Decency, tried to get the film banned, though the responses to the church’s disapproval of the film were varied with Catholic Church and other religious organizations. Despite moral opposition of the film, it was vastly well received by critics and many movie goers. Culturally, the film has been credited with the conceiving the name and making popular of the babydoll nightgown, which derives from the costume worn by Baker’s character.

Although this film was and still is very controversial, it still stands as one of the best “Lolita” type films, where a much older man falls for or becomes infatuated with a much younger girl, tricking by at first asking her to do kind things for him, then he starts to be kind, often fatherly or husbandly, them eventually becomes abusive to her.

Baby Doll ends up being forced to marry Archie Lee Meighan, but he makes an agreement with Baby’s father to wait until her 20th birthday to be consummated. But in the meantime, she sleeps in a crib, wearing short childish nightgowns and sucking her thumb, while Archie, an alcoholic spies on her through a hole in the wall of their dilapidated antebellum house, Tiger Tail. Baby Doll’s crazy Aunt Rose Comfort also lives in the house and is tortured by Archie Lee.

During the era and setting of this film, young girls getting married to wealthy older men was quite common. Some as girls as young as fifteen got married to men in thirties, forties, fifties, maybe even older than that. Young girls getting pregnant was also quite common. Men during this time in the early 20th century (1910’s-30’s), had higher power in most aspects of living, from marriage, to better jobs, higher pay, parenting, etc. Women (or girls in this case), were mostly either schoolteachers, seamstresses, secretaries, or housewives or stay at home mothers. This film shows how life was then in a real southern town.

Sadly, this kind of story really did happen quite a lot during that time in south, especially in small towns. Females, normally didn’t go college unless they were wealthy, lots didn’t even have a high school education. Baby Doll in this film was manipulated by her father and her husband. Her husband forces her to act like a nineteen year old baby and frequently ignores her. Her Aunt Rose is of no help to her because she is senile, so she is oblivious to what is going on with Baby and Archie. Baby and aunt Rose eventually escape from Tiger Tail and Archie is taken to jail, but their lives before that is a living nightmare.

This controversial story is much like a southern version of Vladimir Nabokov’s “Lolita,” although much less humor in my opinion than Stanley Kubrick’s film version of the Nabokov book. Even though this movie is called a black comedy, it’s far too serious to be called that. The film deals with underage marriage, terrible living conditions, mental illness, alcoholism, vandalism, money issues and abuse, none of which is a laughing matter. Not once did I laugh out loud, so this is really a drama film one hundred percent.

The acting is superb from the main stars. Though this film is really slow and drawn out in some scenes, it is still very well done. Not an exciting film at all, in fact, the majority of it, is extremely depressing, like the way Baby Doll is treated throughout. The only real happy moment is when she and Aunt Rose escape Archie Lee and the police pick him up.

There is no nudity. There is lots of sexual moments though, like Silva making Baby horny and she wears childlike “lingerie” during the majority of the movie. There is some pretty violent scenes, lots of smoking and drinking, but not a whole lot foul language, just the “n-word” used a few times, but that fits the time period and location. Some things in this movie might make a more modest or conservative person overly uncomfortable. This isn’t a film that could be watched over and over because of the theme and adult segments. It is still a work of art despite it causing feather ruffling even today. 18 & up 4/5