Rear Window is a 1954 American mystery thriller film directed by Alfred Hitchcock and stars James Stewart, Grace Kelly, Wendell Corey, Thelma Ritter and Raymond Burr.
The film follows the story of photographer L.B. “Jeff” Jeffries (Stewart) who is confined to a wheelchair in his Chelsea apartment. His rear window looks out into the courtyard and several apartments. During a heat wave, he watches his neighbors, who are keeping their windows open to be cool. He sees many different things going on, but is convinced one of his neighbors has committed murder.
This film has been said to one of Hitchcock’s best. It starts outs slow, but does pick up. It also isn’t Hitchcock ‘s most action packed film, but it is still fairly entertaining despite being a bit slow at times. But that’s because it takes place almost entirely in Jefferies’ apartment.
This film at times is a bit boring and could some some action or more interesting scenes than just L.B. Looking out his window the whole time, but that’s what you get from a character that is supposed to be wheelchair bound. James Stewart is great as L.B. Jefferies and Grace Kelly is equally great as his girlfriend Lisa Carroll Fremont. They worked together perfectly throughout the movie.
This isn’t Hitchcock’s most exciting film and much of it far too slow. It could have use some action of some sort to make it more enjoyable, but that doesn’t make it a bad film, just not anything outstanding in my opinion, although many film critics and scholars would say differently.
There are some some good parts of this movie, like the supposed murder scene and the exuberant dancer, just the ordinary people is what is uninteresting and that they could have done without. But being the doctor’s orders that Jeff keep his leg elevated, we’re sadly stuck in his apartment with him. Had this film had more settings, it would have been more captivating, even though film experts will probably say otherwise.
Overall the acting is fantastic, but the story lacking a bit of the excitement factor it deserves from such a great cast and director. It’s not terrible, but it’s not outstanding. Alfred. Could have done better. 18 & up 3.5/5
The Odd Couple is a 1968 American Technicolor buddy comedy film written by Neil Simon, based on his 1965 platypus of the same name. It was directed by Gene Saks and starred Jack Lemmon and Walter Matthau. The film follows the story of divorced men, neurotic neat freak Felix Unger and fun filled slob Oscar Madison, who decide to live together, despite their personality differences.
Felix Unger (Lemmon) checks into a roach motel near Times Square and attempts. To kill himself by jumping out the window, but fails to get it open and pulls a muscle in his back. He limps back on the street and tries to get drunk at a dance bar and ends up hurting his neck when throws down a shot. He contemplates jumping in to the river.
In the unkempt Upper West Side apartment of divorced sportswriter Oscar Madison (Matthau) on blistering hot summer evening, Oscar and his buddies are playing poker and discussing their friend Felix Unger, who is unusually late for the game. They also complain about how messy the apartment is. A friend’s wife calls and tells them Felix is missing. Oscar calls Felix’s wife, who says they have split up. Worried Felix might commit suicide, he shows up not knowing his friends already know about his wife kicking him out of the house.
Felix starts crying and his friends comfort him. Oscar then suggests that Felix move in with him, since Oscar has lived alone since his split up with his own wife, Blanche, several months before. Felix agrees and tells Oscar to let him know is he gets on his nerves. Within only a week, Oscar is going crazy.
This is a hilarious movie that many can relate to. Living with someone who has different personality can be difficult, especially when one is tidy and the other isn’t. You both want things a certain way and they often causes chaos. Sometimes you either learn to compromise or just live it and sometimes that works and sometimes, it doesn’t, like in this film. Oscars grows fed up and kicks Felix out for his obsessive compulsive ways. Eventually Oscar lets Felix back in and two realize best friends should have each other’s backs.
This film is filled with laugh out loud humor, fighting and bickering, but it also at times, has heart when the two realize messiness and tidiness isn’t the end of the world, that friendship is more important.
This move will have you laughing at time, but also it will warm your heart at other moments. It teaches you family and friends are the most important thing in life. That despite all their hardships they had to endure living together, Felix and Oscar, remained best friends and vowed to always be there for each other, through thick and thin.
This not just a humorous film, but also one that teaches not just about friendship, but also about how to overcome misfortune and to never be afraid to ask for help, especially when needed the most. Underneath all the confrontation, this story has true heart. A wonderful film that has inspired two television spin offs. Outstandingly written, directed and acted. A perfectly imperfect movie from beginning to end that never disappoints. 10+ 5/5
Have a Good Trip: Adventures in Psychedelics, is a 2020 documentary directed by Donick Cary. It features many different types of celebrities talking about experiences taking psychedelic drugs. Some of the stories are funny, some are serious and some a mixture of both. Each story is different from the others and is reenacted by actors, animation, or a combination of both. Nick Offerman is main star of the film, who plays the scientist, explaining who different hallucinogenic drugs affect the mind and body.
The science behind the drugs is the most interesting part of this film. The celebs mostly talk about what it’s like to on particular drugs, a few actually tell stories of being on them. Many of the tales are like being in Wonderland or My Little Pony World and are not interesting, probably unless you have experienced it for yourself as well. Other tales have seriousness combined with humor, like having fun until something bad happens to someone or something or both. Maybe this film would be enjoyable under the influence of a hallucinogenic or alcohol.
There are celebrities from actors, musicians, comedians, television show hosts, writers, etc., so you get a variety of different people, many whom you wouldn’t think would ever do drugs. This documentary takes a deep nose dive into a serious subject and the majority of it feels more like a comedy film rather than something to learn from.
Grateful Dead drummer Bill Kreutzmann and hippie singer Donovan do appear in the movie and talk not just about their experiences on psychedelics but also how drugs shaped the 1960s and 70s. They provide their encounter with more seriousness than the rest of the guests, also providing historical facts with their happenings.
The film does go into a brief segment about the history of psychedelic drugs and another segment talks about Timothy Leary the clinical psychologist that helped form the Harvard Psilocybin Project from 1960-62 and is considered a pioneer in psychedelic drugs research. This is one of the few interesting parts of this movie, because you actually learn, unlike the majority of the famous guests’ stories.
If you want to learn watch a real documentary on drugs, not this where you learn some, but not enough. If you want to know what it’s like to be on hallucinogenic antidotes, than you will likely enjoy this one. If you already know what it’s like to live in a yellow submarine, you definitely will be entertained. Major documentary fans, may want to steer clear of this one
The drug tales are entertaining but many are too silly to be in a documentary movie, even though they’re factual, you’re not actually learning about what the drugs do to you only what someone has done under the influence of it, although Nick Offerman explains it.
Not the best documentary I’ve ever seen, but definitely not the worst. At times it feels bad to laugh at someone whacked out on an illegal substance where they’re frying their brain cells. You think they’re stupid for doing it, but you end up laughing anyway, which isn’t exactly a good thing, since the substances are an addictive.
Bottom line, you learn some, but not enough from this movie. More science and history is definitely what this film needs to be an excellent one. It feels like a few of the celebrities interviewed are endorsing hallucinatory drug usage. I know the famous people’s stories are the main point of the film, but it needed more facts and history, to be considered a document style film. Adults only. 3/5
Animal Crackers is a 1930 American pre-code comedy and musical film directed by Victor Heerman and stars the Marx Brothers, Groucho, Chico, Harpo and Zeppo with Lillian Roth and Margaret DuPont. It was based on their Broadway musical of the same name. The film follows the story of how a valuable painting goes missing during a party in honor of famous African explorer Captain Jeffrey T. Spaulding.
This is not only a Marx Brothers and comedy classic, but it is truly one of the funniest films of all time. It is clever and funny. There musical numbers and Groucho and Zeppo sing as well and Harpo and Chico both play the piano, Harpo also plays the harp. Like most of the Marx Brothers’ films, Groucho is the ringleader. There is lots of cheesy, yet fun songs (except for one love song), slapstick fighting, clever humor, tricks and flirting.
Groucho is fantastic as Captain Jeffrey T. Spaulding, Harpo is great as the professor, Chico is also great as Signor Emanuel Ravelli and Zeppo does a fine job as Horacio Jamison. Margaret Dumont does a fine job in her role as Mrs. Rittenhouse, owner of the house (on Long Island) and Lillian Roth does equally god as her daughter Arabella.
There are many fun musical numbers in this film such as, “Hello, I Must Be Going,” “Hooray For Captain Spaulding” and “He’s One of Those Men.” There’s also the love song, “Why. Am I So Romantic?” The songs give this film the right amount cheese and excitement.
There is also a lot of jokes, some that have become famous with the brothers like Groucho saying, “One morning I shot an elephant in my pajamas. How he got in my pajamas, I don’t know” and when the party guests are giving three cheers to Captain Spaulding, Harpo brings in three chairs. Harpo is the only Marx brother that doesn’t speak in their films, although he occasionally laughs and whistles, he is also very gullible and naive.
This movie will have you laughing, cheering and dancing. There is mild sexual innuendo and flirting and slapstick violence, but no one is seriously injured. There is drinking and smoking throughout, Groucho is seen with his trademark cigar. But other than that, it is very mild and okay for older children, as younger ones won’t understand the jokes.
Never once is this film boring. It is truly hilarious and entertaining and gets that way more and more after viewing. The Marx Brothers were and still are some of not just the funniest, but greatest actors and movie makers of all time. They, to this day, can put a smile on a person’s face and brighten a day with laughter. This is a wonderful movie that is just as quick-witted as it an enjoyment. With music, dancing, humor, peril and romance, this one will never disappoint. 8 & up 5/5
The Night Clerk is a 2020 American crime drama film written and directed by Michael Cristofer. It stars Tye Sheridan, Ana de Armas, John Leguizamo Abdul Helen Hunt. The film follows the story of front desk clerk at a hotel that is suspected of a murder that happens after his shift.
Bart Bromley is a twenty- three year old man with Aspergers Syndrome who lives with his mom, Ethel. He works as a front desk clerk at night at a local hotel. He studies guests staying at the hotel with hidden cameras to help with his social skills. At home in his room, he has several screens set up to watch what he records from work. The videos start out innocent, but take a dark turn when he witnesses a man hit a woman and the murder of another female guest.
He meets a young lady, Andrea Rivera, who is a guest at the hotel and after spending hanging with her for the next few days, he becomes infatuated with her, even going the length to buy a new a car, get a haircut and dress clothes. But his work goes down the drain when he sees her with another man and becomes jealous. He soon forgives her after she cones to him at the front desk saying it was over with the man. She leads him, first acting a friend, then flirts with him and leaves with another man, that Bart knows is the murderer of the other lady.
Bart is found sitting on the bed of crime scene room when his coworker finds him and tells him not to touch anything, he’s going to call the police. Bart disobeys him, touching the blood of the dead woman, taking the chip out of his hidden camera and other things, leaving his fingerprints as evidence, as wel as the blood on his shirt. Because of this, police consider him a likely suspect.
Bart loses his job, confronts the man Andrea has been seeing, after catching him hurt her in her hotel room. Andrea and Bart escape to his house, where he shows her the hidden camera footage. She decides to play it safe and stay the night with Bart. Bart awakes to find her gone.
There have been many films involving autistic characters, some better than others. Some hit the nail on the head as far as mannerisms, lifestyle, etc., but many stereotype. This film gets Aspergers almost perfectly. Tye Sheridan is outstanding as Bart Bromely, portraying a socially awkward, autistic young man so well, making him seem like a real person. Helen Hunt is great as his mother Ethel Bromely, who is a little bit of sheltering mother, but also protective and loving. Ana de Armas is also great as Andrea Rivera, who plays with Bart’s mind throughout the film. John Leguizamo is fantastic as Detective Espada, who at first is iffy about making Bart a likely suspect, because of his disability, but is forced to do it.
Autistic people have trouble reading people’s emotions and the often have trouble understanding what a person has said. The often act or say inappropriately as well. Bart is prime example of that. He knew it was wrong to tamper with the evidence, but he wanted to get the camera and the footage out. He didn’t realize that Andrea was just playing him and trying to frame him until closer to the end of the film.
While the acting is superb in this movie, it does focus a little too much on Bart, his condition and him being likely guilty by police, rather than trying to find more evidence and reasons to arrest or not arrest him. This film starts out rather slow, but does pick up, other scenes are pretty slow too. You want Bart to get over Andrea, but he can’t, that’’s the way he thinks. He tries so hard to be more social, but it doesn’t always work.This isn’t action packed, but some scenes are pretty intense, some disturbing
You don’t have to relate to Bart or know anyone with Aspergers to enjoy this film. Although I don’t think is movie is fantastic, it is pretty good. It makes you wonder about howe disabled people get accused of crimes they didn’t commit. The acting is great, but there could have been a little less Andrea and Bart’s crush on her, could’ve been focused on less, it’s a crime drama, not a romance. I didn’t love this film, nor did I hate it. It was only petty good, because it did need some changes to be excellent. 18 & up 3.5/5
Alfie is a 1966 British romantic comedy drama film directed by Lewis Gilbert. It is an adaptation by Bill Naughton of his own play of the same name. It says Michael Caine. The film tells the story of a young womanizing man who lives a self centered life, for own enjoyment, until things force him to ask himself about his selfishness, loneliness and his priorities. He cheats on numerous women through the film, treats them with disrespect and calls them each “It.” He uses them purely for sex and private occasions. The Film breaks the forth wall with Alfie talking directly at the camera and arguing about his actions.
This was the first film to receive the “suggest for mature audiences” rating in the United States by the Motion Picture Association of America, which turned into PG or “Parental Guidance.”
Alfie Elkins is a good looking Cockney chauffeur that enjoys women just a little too much, but refuses commitment to all of them. He has an affair with a married woman, gets his girlfriend pregnant, but refuses to marry her and bans him from seeing their son after he is born. Alfie becomes attached to his son, but his refusal to marry his son’s mother Gilda, causes her to break up with him and marry an older man named Humphrey, a bus conductor who is willing to call Malcolm his own son.
After spending a period of time at a rehabilitation house for tubular shadows on his lugs, depressed he becomes friends with another patient, Harry and his wife Lily. He then begins an affair with her while her husband is away, after be released from the center. Drives her home and has a one night stand.
Later, Alfie stops and picks up Annie, a young hitchhiker, who wants to turn her life around in London and moves in with him. She is still in love with a man she left behind. Shen ends up doing all his chores. He gets mad and kicks her out, but the regrets it. Around the same time, Lily informs him that she is pregnant from the one night stand and she plans on having an illegal abortion.
He encounters many misfortunes like these throughout the entire film. He leaves a woman, finds another, over and over, gets two pregnant, leaves both and finds he is in love with one woman, only to find out she has been seeing a younger man. After all the women abandon Alfie, he left wonder about his life decisions.
This was a very adult film for time period and certainly for the “suggested for mature audiences” classification, although it still has a PG rating today, much like other that should be PG-13 like The Graduate and Annie Hall, but that was before the birth of PG-13. They aren’t too mature for an adult rating, but certainly for a family type rating. Lots of adult subjects throughout the film from, affairs, sex, abortion, sleeping around, drinking , smoking and mild violence. So this is certainly not a film for young children.
Michael Caine is outstanding as Allie Elkins, far better than Jude Law in the 2004 remake (although that version is far more adult). His cockney accent and and how he portrays all the main female actresses are great to, all unique but all lead on by Alfie.
This is certainly not a date movie, because the lead character doesn’t find true. He sleeps around because he can’t commit to one woman. Unlike in The Graduate, where even though Benjamin Braddock has an affair with a much older married woman, he gets forgiven and gets love in the end. This one doesn’t start or end happily. Both films have excellent soundtracks, this one being jazz musician Sonny Rollins and the theme sung by Cher in the US version and Millicent Martin in the UK release. Cilla Black and Dionne Warwick also recorded the song right after Cher did.
Sure a film about a womanizing young man may not sound like a good motion picture, but Lewis Gilbert directed this story so well, making it both pleasant and unpleasant, with sexy jazz music and sad theme song and beautiful London. It’s not laugh out loud funny, but more sassy and tongue in cheek humor, some that only people that watch a lot of British stuff or just Brits may get, since Caine talks in a cockney accent. This not just one of the best British films, but best ever. Clever and fantastic. I say watch this one first before you watch the remake. 13 & up 4.5/5
Diner is a 1982 American comedy drama film written and directed by Barry Levinson, in his film directorial debut. It stars Mickey Rourke, Steven Guttenberg, Daniel Stern, Paul Reiser, Kevin Bacon, Timothy Daly and Ellen Barkin.
The semi-autobiographical film is set in the northwest section of Baltimore, Maryland during the last week of 1959 and tells the story of a circle of friends, now in their twenties, who reunite for the wedding of one of the friends in the group and the title makes reference to their late night hang out, the fictional Fell’s Point Diner in Baltimore’s Fell’s Point neighborhood. The film follows the changing relationships among these friends as they become adults.
This is a film with a simple plot, that most group of friends can relate to. The friends in this movie share a celebration of one getting married. They reunite at the diner they hung out at as kids over food, coffee, music and laughs, they party, dance, drink until they’re drunk, talk about life growing up and as adults, go to the wedding, share tears, hugs and toasts and dance some more. They drink lots of coffee and smoke lots of cigarettes, but nearly everyone smoked back then.
Each character is unique one is getting married, one fears marriage, one has a semi-pregnant girlfriend and one has a high paying job he hates. This film might have inspired other movies as well as television shows featuring groups of friends at their favorite hangout like the films The Big Chill and Grosse Point Blank and television shows Seinfeld and Friends. There are laugh out loud and touching moments in this film.
For such a simple plot, with such simple, (yet relatable) characters, you’d think this film would be completely boring, but it is far from it. It shows a group of buddies getting together again to be there for a member of their circle’s wedding. After being apart, (though they kept in touch), for so long, they still shared a close bond, a brother type relationship that so many, even today, don’t have. It was great how they seemed like they hadn’t been apart for a long time.
Yes, this is pretty much a “guy” comedy, but me, being female, thoroughly enjoyed it. It is very entertaining for the most part, because several scenes are a bit slow, but I know that is for dramatic effect, so can’t really complain when it’s necessary to the plot. This is both a happy and not so happy film. There is a wedding for one character , but their is also the other character who is too afraid to propose to his longtime girlfriend and the one guy who complains about his job. You don’t have to be male, or even in your twenties to relate to any of the main dudes. You don’t have to like football, or even sports, or 50s music, to enjoy this movie, nor do you have to be a fella.
This both a happy and a not so happy film. Some parts are pretty slow, but that’s for dramatic effect, so can’t complain if it’s necessary to the plot. Although the guys are young, many times in the movie they seem much older, because the screenplay is smartly written, making each character have a sense of maturity, unlike most twenty something characters from today, who act more like wasted immature junior or high school students. The guys in Diner are wise beyond their years. A great motion picture from beginning to end. 18+ 4.5/5
Baby Doll is a 1956 American black comedy film directed by Elia Kazan, starring Carroll Baker, Karl Malden and Eli Wallach. It was adapted from the Tennessee Williams play 27 Wagons Full of Cotton. The film centers on a feud between two rival cotton gin owners in rural Mississippi; after one of the men burns the other’s gin down. The owner fights back by trying to woo the arsonist’s nineteen-year-old virgin bride hoping to receive an acknowledgment of her husband’s guilt.
This film was highly controversial upon its release, largely due to its overly sexual themes. The Roman Catholic National League of Decency, tried to get the film banned, though the responses to the church’s disapproval of the film were varied with Catholic Church and other religious organizations. Despite moral opposition of the film, it was vastly well received by critics and many movie goers. Culturally, the film has been credited with the conceiving the name and making popular of the babydoll nightgown, which derives from the costume worn by Baker’s character.
Although this film was and still is very controversial, it still stands as one of the best “Lolita” type films, where a much older man falls for or becomes infatuated with a much younger girl, tricking by at first asking her to do kind things for him, then he starts to be kind, often fatherly or husbandly, them eventually becomes abusive to her.
Baby Doll ends up being forced to marry Archie Lee Meighan, but he makes an agreement with Baby’s father to wait until her 20th birthday to be consummated. But in the meantime, she sleeps in a crib, wearing short childish nightgowns and sucking her thumb, while Archie, an alcoholic spies on her through a hole in the wall of their dilapidated antebellum house, Tiger Tail. Baby Doll’s crazy Aunt Rose Comfort also lives in the house and is tortured by Archie Lee.
During the era and setting of this film, young girls getting married to wealthy older men was quite common. Some as girls as young as fifteen got married to men in thirties, forties, fifties, maybe even older than that. Young girls getting pregnant was also quite common. Men during this time in the early 20th century (1910’s-30’s), had higher power in most aspects of living, from marriage, to better jobs, higher pay, parenting, etc. Women (or girls in this case), were mostly either schoolteachers, seamstresses, secretaries, or housewives or stay at home mothers. This film shows how life was then in a real southern town.
Sadly, this kind of story really did happen quite a lot during that time in south, especially in small towns. Females, normally didn’t go college unless they were wealthy, lots didn’t even have a high school education. Baby Doll in this film was manipulated by her father and her husband. Her husband forces her to act like a nineteen year old baby and frequently ignores her. Her Aunt Rose is of no help to her because she is senile, so she is oblivious to what is going on with Baby and Archie. Baby and aunt Rose eventually escape from Tiger Tail and Archie is taken to jail, but their lives before that is a living nightmare.
This controversial story is much like a southern version of Vladimir Nabokov’s “Lolita,” although much less humor in my opinion than Stanley Kubrick’s film version of the Nabokov book. Even though this movie is called a black comedy, it’s far too serious to be called that. The film deals with underage marriage, terrible living conditions, mental illness, alcoholism, vandalism, money issues and abuse, none of which is a laughing matter. Not once did I laugh out loud, so this is really a drama film one hundred percent.
The acting is superb from the main stars. Though this film is really slow and drawn out in some scenes, it is still very well done. Not an exciting film at all, in fact, the majority of it, is extremely depressing, like the way Baby Doll is treated throughout. The only real happy moment is when she and Aunt Rose escape Archie Lee and the police pick him up.
There is no nudity. There is lots of sexual moments though, like Silva making Baby horny and she wears childlike “lingerie” during the majority of the movie. There is some pretty violent scenes, lots of smoking and drinking, but not a whole lot foul language, just the “n-word” used a few times, but that fits the time period and location. Some things in this movie might make a more modest or conservative person overly uncomfortable. This isn’t a film that could be watched over and over because of the theme and adult segments. It is still a work of art despite it causing feather ruffling even today. 18 & up 4/5
American Graffiti is a 1973 American coming of age comedy film directed by George Lucas starring Richard Dreyfuss, Ron HOward, Paul Le Mat, Harrison Ford, Charles Martin Smith, Cindy WIlliams, Candy Clark, Mackenzie Phillips, Bo Hopkins and Wolfman Jack. The film is set in Modesto, California in 1962 and follows the story of the early rock ‘n’ roll and crushing cultures that were poplar among teenagers at the time over the course of a single night.
This film shows how cars, music, friendship, cruising and hooking up were popular among teenagers during the early days of rock ‘n’ roll. You see the different types of vehicles, hear the popular songs, see the types of hangouts and the fashion from that era. This is fun filled film. The teenagers are out passed their curfews, cruising around with their buddies, and/or their boyfriend or girlfriend, or they’re looking for a hookup.
Some of the characters are supposed to be at a school dance, but have skipped out on it. Others are shown hanging out at Mel’s Drive-In. Other ones are shown making out, a few playing pranks on a car of bullies and few more in another scene steal a car from a dealership. There are a few slapstick type fights, lots of mischief, flirting, driving around and rock ‘n’ roll and Doo-wop music from the mid 50’s – to early 60’s.
Each character in this film is unique, yet several of the boys are trying to find a girlfriend, just like serval girls are looking for a boy. Some of the older characters try to flirt with the younger one. A couple of girls in particular are much younger and are inappropriately hanging out with ones much older, who try to kiss them, have sex with them, or get them to drink or smoke, in one scene, all that occurs.
This is a simple film, but not one that is so simple, it’s boring, it’s far from that. It is fantastic from the car chases, to the laugh out loud humor, the vehicles, the characters and the great soundtrack filled with golden oldies to sing along to. Though this film takes place in just one night, it seems so much longer, because so much goes on. Not one time in this movie is it slow. It takes you back in time on rockin’ and rollin’ rides from beginning too end
This movie is one that can make you laugh, cry, angry and sing and tap your foot. It’ll have you wishing you were at Mel’s in the days of soda fountains, checkered floors, jukeboxes and Doo-wop playing DJ’s. A fun, yet naughty and music filled film that didn’t need anymore than it had to be perfect, it was just aa it was. Lucas drew inspiration from his own youth during that era in California.
This film has become a cult classic in the U.S. as well as other countries like France. Fantastic, entertaining, hilarious and clever film with one of the greatest soundtracks of all time. 13 & up 5/5